浮雕与圆雕的不同之处，在于它相对的平面性与立体性。它的空间形态是介于绘画所具有的二维虚拟空间与圆雕所具有的三维实体空间之间的所谓压缩空间。压缩空间限定了浮雕空间的艺术美感发展，在平面背景的依托下，圆雕的实体感减弱了，而更多地采纳和利用绘画及透视学中的虚拟与错觉来达到表现目的。与圆雕相比，浮雕多按照绘画原则来处理空间和形体关系。但是，在反映审美意象这一中心追求上，浮雕和圆雕是完全一致，不同的手法形式所显示的只是某种外表特征。
The difference between relief and round sculpture lies in its relative planarity and three-dimensional. Its spatial form is the so-called compressed space between the two-dimensional virtual space of painting and the three-dimensional solid space of round sculpture. The compressed space limits the artistic aesthetic development of relief space. Relying on the plane background, the sense of entity of round sculpture is weakened, and more virtual and illusion in painting and perspective are adopted and used to achieve the purpose of expression. Compared with round sculpture, relief mostly deals with the relationship between space and form according to the principles of painting. However, in reflecting the central pursuit of aesthetic image, relief and round sculpture are completely consistent, and different techniques and forms show only some appearance characteristics.
石材浮雕作为一种人们自己创作设计并雕刻的手工工艺品它是最古老的文明，并留给我们现代人丰富的历史文化艺术遗产。再石材浮雕的创造中它始终用独特的手法和行为艺术形式来丰富着人们的文明历史。石材浮雕设计作为视觉上的艺术，它与其他的艺术形式是相同的，通过在一个平面上雕刻出凹凸不平的自己喜欢的图案来突出视觉上的效果，展现出一副雕刻作品的生动形象，近几年来石材浮雕用途广泛，浮雕设计公司也不断的增多。
Stone relief, as a handicraft created, designed and carved by people themselves, is the oldest civilization and leaves us rich historical, cultural and artistic heritage. In the creation of stone relief, it has always enriched people's civilization history with unique techniques and behavioral art forms. As a visual art, stone relief design is the same as other art forms. It highlights the visual effect by carving uneven patterns you like on a plane and shows a vivid image of carving works. In recent years, stone relief has been widely used, and relief design companies are also increasing.